The piece is the creation of contemporary photographer Cindy Sherman, who had set the photo auction world ablaze last year with another work that soared to $3.89 million at Christie's - a record for photographs. It is labeled "untitled #96" (see above) and drawn from Sherman's "Centerfold Series". All of the self-photographed images are of Sherman, who appears in various disguises. The AAM acquired "untitled #96" in 1981, when Sherman created it. Talk about foresight!
When I spoke to Kahan, he conceded that it isn't easy to give up a work by a photographer so highly valued in the art world. But he says the sale - estimated to fetch $2.8 million to $3.8 million - will sweeten the museum's $2 million available for acquisitions. Thus, he says, there will be greater opportunity to acquire distinguished pieces for AAM for future generations.
Oh, I should mention that Kahan won't be total bereft of Sherman's work. He has another one in the vault. That lessens any regret of shipping one of the two off to a New York
City auction house.
1 comment:
I'm no Philistine when it comes to art and photography, and I do think I appreciate Sherman's work, but Kahan should have sold both of them. The fact that the AAM has TWO of them should tell you something right off the bat.
I'm just being churlish here, but for somewhat less than what Untitled # 96 is bringing, you could buy W. Eugene Smith's entire portfolio as well as all of Henri Cartier- Bresson's works and own something truly magnificent and not so obscurely "important".
Bravo to the AAM for making such a brilliant investment, but let's not ever confuse price tags with relevance or value.
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